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Sorry State of Punjabi In Delhi 

Delhi saw a moment of cultural transition in 1947, as Partition forced out several refugees in from Punjab that effectively made Delhi a primarily Punjabi-speaking Delhi.

Today, Punjabi is Delhi’s second language (it edged out Urdu marginally in terms of the number of speakers in the city in the 2001 Census), yet its imminent decay is something it shares with Urdu.

Though it is still widely spoken and can be heard in conversations, public and private, its decline in the written form is alarming.

Today, Punjabi has all but vanished from public view — from billboards, signboards, posters and, even, graffiti which is why the Centre for Punjabi Literature and Art on Deen Dayal Upadhyay Marg holds a surprise.

Instead of a crumbling building, the Centre is an impressive whitewashed structure, with manicured lawns and a welcoming character. Inside, the library is a cosy and elegant with wooden bookshelves filled with titles from every genre. But it has hardly any readers.

The Centre for Punjabi Literature and Art is an impressive whitewashed structure, with manicured lawns and a welcoming character. Inside, the library is a cosy and elegant. But it has hardly any readers.

 

In the two hours not a single visitor came in. As librarian Trilok Chand Kaur informs, the library has all of 75 members.

“Every week, six to seven people visit the library. Most are Delhi University students pursuing a degree in Punjabi,” says Kaur.

The visitors register for this month shows just two names. This state of Punjabi saddens Pyara Singh, the 85-year-old secretary of the Centre. Singh recalls the heady days of the 1940’s, when he first arrived in the city.

“We formed the Punjabi Sahitya Sabha in Gurudwara Bangla Sahib, which founded the idea for this institution. In the classrooms, Punjabi used to be taught all day, without any charge,” he says.

With quiet passion, Singh writes the Punjabi alphabet.

“It’s a fairly easy language to learn, yet no one is interested. I can teach it to anyone within a week,” he says.

What accounts for the steady decline of Punjabi as a written language? Its lack of economic status is also accompanied by the paucity of institutions supporting it. Apart from a few schools run by minority trusts, such as the Harkrishan Public School, options for learning Punjabi at the school level do not exist. In this sense, it is probably worse off than Urdu, which still has a greater transference due to its wide network of madrasas.

The Punjabi Centre for Literature and Art, along with some branches of the Sahitya Akademi, are the last bastions holding up the vast literature of a rich and the varied language.

Every second Saturday, Singh, with a few other enthusiasts, organises a workshop at the Centre’s auditorium where poetry and prose pieces in Punjabi are read. The greater challenge for them would be to breathe life again into the written word of this language that, at least verbally, is still rambunctious and alive.

18 November  2009
 

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